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Dale Earnhardt Jr. Jr. - It's A Corporate World Album

Dale Earnhardt Jr. Jr. - It's A Corporate World Album

  • Performer: Dale Earnhardt Jr. Jr.
  • Genre: Electronic / Rock
  • Title: It's A Corporate World
  • Released: 07 Jun 2011
  • Style: Indie Rock
  • Label: Warner Bros. Records
  • Catalog: 527706-2
  • Country: US
  • MP3 version size: 1176 mb
  • FLAC version size: 1041 mb
  • Rating: 4.7
  • Votes: 303


1When I Open My Eyes4:14
2If It Wasn't You...3:50
3An Ugly Person On A Movie Screen3:12
4Morning Thought3:35
5We Almost Lost Detroit
Written-By, Music By – Brian Jackson, Gil Scott-Heron
6Nothing But Our Love4:06
7Husbands (Interlude)0:55
8Simple Girl2:23
10Vocal Chords3:52
11It's A Corporate World2:54
12The Fisherman2:50


CategoryArtistTitle (Format)LabelCategoryCountryYear
9362-49578-4, 9362495784Dale Earnhardt Jr. Jr. It's A Corporate World ‎(CD, Album)Warner Bros. Records, Quite Scientific Records9362-49578-4, 9362495784Europe2011
527706-1Dale Earnhardt Jr. Jr. It's A Corporate World ‎(LP, Album)Warner Bros. Records527706-1US2011


  • Artwork By [Oil Portrait] – Joanna Marie Care (tracks: 1-10,12)
  • Design, LayoutBrian Peters
  • Mixed ByBen West
  • Photography ByMarianna Vermiglio
  • Producer, Recorded By, Mixed ByDale Earnhardt Jr. Jr.
  • Written-ByDaniel Zott (tracks: 1-10,12), Joshua Epstein (tracks: 1-10,12)


  • Barcode: 0 9362-49578-4 3
  • Matrix / Runout (Variants 1, 2): Y28026 1 527706-2 TEXT 01 M0S1
  • Mastering SID Code (Variants 1, 2): IFPI L902
  • Mould SID Code (Variant 1): IFPI 2U5K
  • Mould SID Code (Variant 2): IFPI 2U8K


  • Copyright (c) – Warner Bros. Records Inc.
  • Phonographic Copyright (p) – Warner Bros. Records Inc.
  • Produced At – Daniel Zott's Basement
  • Recorded At – Daniel Zott's Basement
  • Mixed At – Aashram Recording Studios
  • Mastered At – Aashram Recording Studios
  • Published By – Johnny Panic Music
  • Published By – Dnz Music
  • Published By – Brouhaha Music
  • Manufactured By – Cinram, Olyphant, PA – Y28026



It's A Corporate World - JR JR. Лента с персональными рекомендациями и музыкальными новинками, радио, подборки на любой вкус, удобное управление своей коллекцией. On Its a Corporate World, Detroit duo Dale Earnhardt Jr. make good on the promises made on 2010s Horsepower EP with an album of bittersweet, electronic indie pop. Filled with layers of vocal harmonies, downtempo drums, and innocent melodies, the pairs full-length debut makes for an interesting summer record, tempering that carefree summer feeling with an underlying sadness. This makes for a record thats not so much for the beach as it is for those odd rainy days spent inside, hoping that the weather breaks. Lending to this feeling is how wonderfully understated the songwriting is. Dale Earnhardt Jr. s new album The Speed of Things is out now here: Connect With Dale Earnhardt Jr. dale earnhardt jr if you didn t see me then weren t on the dance floor dancefloor dejj music rock alternative its a corporate world patterns ep hiding. Released by: warner bros. Live, Dale Earnhardt Jr. perform in logo-emblazoned NASCAR regalia. Couple this fact with their moniker and the title of their debut LP, It's a Corporate World, and you might peg them as some sort of subversive, Adbusters-influenced project. But Dale Earnhardt Jr. are a sweet, fairly unassuming electro-tinged indie pop band nothing less, but precious little more. The name, the costumes, and the anti-corporate rumblings all but melt away once you hit play on It's a Corporate World. Bands these days need a hook to stand out from the pack, I realize. If only a few more of those. Features Song Lyrics for Dale Earnhardt Jr. s It's A Corporate World album. The Detroit duo of Joshua Epstein and Daniel Zott release another album of psychedelic indie pop. Overall, it's an album full of songs Lloyd Dobler could have played during his window-call, boom-box confession of love. Read full review. s dedication to branding has earned them plenty of attention, but on It's a Corporate World, their music too often feels like an afterthought. It's A Corporate World Lyrics: Steppin' outside and it's late in the fall So I'm trepidatious And I'm facing changes Are you an. Are you all alone I know a guy who can make it a park Full of mobile homes Sit there on your throne. It's a corporate world, I'm a corporation Cutting back, cutting much Dale Earnhardt Jr. s posturing might call their sincerity into question, they do know how to craft a pleasant little pop song. Drawing obvious influence from the last decades biggest indie acts the Shins, Hot Chip, Sufjan Stevens, Death Cab for Cutie, MGMT, among others, the duo has assembled songs that filter straightforward pop melodies, confessional folk-leaning lyrics, and quirky, electronic production flourishes through a more expensive, major-label recording process. However robust the melodies and intricate the production on Its a Corporate World may be, the album wants for real substance or innovation. Its a Corporate World Review. Released 2012. are another painfully arch synth act, with the requisite sneering fop up top and a keyboard player who looks about as pleased to be there as a former lawyer manning a supermarket checkout. Thankfully this Detroit duo are enemies of arch, and are revelling in the unlikely success of their low-key studio project. Named after a popular racing driver and often sporting garish NASCAR gear on stage, they make fine, feel-good pop songs invariably wrapped in devilishly complex instrumentation. A corporate world it may be, but despite the major label backing this is hardly regular chart fodder. Its a Corporate World does show growth in terms of songwriting and recording mastery, and it definitely doesnt push far from those same influences and stylistics. Album opener Morning Thought flutters together on moth-winged electronic drums and synth shambles, vocal harmonies filigreeing the background. Things return to the funky pretty quickly, An Ugly Person on the Movie Screen combining stutter-step electronic drums and mellow, melancholic vocal delivery dancing about. The ricocheting title track suffers from a lack of intensity, plunking synths overpowering the ramping guitar, and the drums played equally quietly