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Cocteau Twins - Wax And Wane Album

Cocteau Twins - Wax And Wane Album

  • Performer: Cocteau Twins
  • Genre: Rock
  • Title: Wax And Wane
  • Released: 2016
  • Style: Post-Punk
  • Label: Arkain Filloux
  • Country: Belgium
  • MP3 version size: 1174 mb
  • FLAC version size: 1637 mb
  • Rating: 4.9
  • Votes: 929

Tracklist

1Hearsay Please
2Feathers-Oars-Blades
3Hazel
4Garlands
5Strage Fruit
6The Tinderbox
7From The Flagstones
8Wax And Wane
9Dear Heart
10Hitherto
11Blind Dumb Deaf
12Alas Die Laughing

Versions

CategoryArtistTitle (Format)LabelCategoryCountryYear
noneCocteau Twins Wax And Wane ‎(LP, Comp, Unofficial)Arkain FillouxnoneBelgium2013
noneCocteau Twins Wax And Wane ‎(LP, Comp, Unofficial, Blu)Arkain FillouxnoneBelgium2015
noneCocteau Twins The BBC Sessions ‎(LP, Comp, Unofficial)Swing Shift Records UknoneUK2016
noneCocteau Twins Wax And Wane ‎(LP, Comp, Ltd, Num, Unofficial, Yel)Arkain FillouxnoneBelgium2013
noneCocteau Twins Wax And Wane ‎(LP, Comp, Unofficial, Gre)Arkain FillouxnoneBelgium2013

Notes

The BBC Sessions

Arkain Filloux
Dreve Olympic 15 1070 Anderlecht
Bruxelles Belgique

Album

Wax And Wane - Cocteau Twins. Лента с персональными рекомендациями и музыкальными новинками, радио, подборки на любой вкус, удобное управление своей коллекцией. Текст песни: Carrying prose Broke my real friend The devil might steady We wax and we wane. Wax And Wane. Cocteau Twins. Joy Division - New Dawn Fades a Sessions is an album of BBC studio recordings by the band Cocteau Twins released in 1999 by Bella Union in the UK and Rykodisc in the US. The album spanned the band's career from the early 1980s through the 1990s. Much of the first disk was taken from a series of early 1980s Peel sessions. The second disk contained several tracks recorded during the group's performance on the 1980s Radio 1 series Saturday Live. The compilation peaked at No. 87 on the UK Albums Chart. John Peel Session, 15 July 1982. Watch the video for Wax and Wane from Cocteau Twins's Garlands for free, and see the artwork, lyrics and similar artists. Cocteau Twins were an innovative and influential Scottish dream pop band. Forming in 1979 in Grangemouth, Scotland, UK the name taken from an obscure song by fellow Scots Simple Minds, they built a sound based on woozy atmospherics and singer Elizabeth Fraser's unmatchable vocals, most of which featured lyrics of made-up words and words plucked at random from the dictionary. Cocteau twins 1982 garlands album The Band Was Named After The Song The Cocteau Twins By Fellow Scotsmen 'JOHNNY & THE SELF-ABUSERS' Who L8R Renamed Themselves SIMPLE MINDS The Cocteau Twins Was Re-Penned In 1978 As NO CURE On The Debute Album LIFE IN A DAY . The Band's Influences The Time Included The Birthday Party, Sex Pistols, Kate Bush, & Siouxsie & The Banshees. Перейдите на страницу пользователя, чтобы посмотреть публикации или отправить сообщение. О себе: Fanspage of Cocteau . View Tracklist. Wax and Wane. Produced by. Cocteau Twins & Ivo Watts-Russell. Carrion grows More foul we find The devil bites dirty We wax and we wane. The devil bites dirty, we wax and wane The devil bites dirty, we wax and wane The devil bites dirty, we wax and wane The devil bites dirty, we wax and wane. Licking our wounds The devil bites dirty Reckoning we'll taste We wax and we wane. And if you got any children The devil bites dirty Up to the wee wanes We laugh in their faces. Cocteau Twins - Garlands review: The dark and edgy beginning of Cocteau Twins. Wax and Wane is the most well-known song off of this album, in fact, most fans of Deftones may have heard of this band due to The Deftones doing a cover of this song. The song is more up-tempo compared to that of Blood Bitch or even the rest of the album one of the main flaws of this album. The lotus-like sound of the catchy guitar line in the song, the catchy chorus in the song, everything is catchy about this song. The guitar line is reminiscent of that of Spellbound from Siouxsie and The Banshees off of their album Juju. Bassist Will Heggie, in the only full album he did with the Twins, clearly follows the Peter HookSimon Gallup style of low, ominous throb, while Guthrie's guitar work more often than not screeches loudly than shimmers. Fraser's singing has a starker edge, unsettling even at its most accessible, sometimes completely disturbing at other times